ABOUT US

Our development agency is committed to providing you the best service.

OUR TEAM

The awesome people behind our brand ... and their life motto.

  • Radha Roy

    Country Head

    I long for the raised voice, the howl of rage or love.

  • Shruti Das

    GM,India

    Contented with little, yet wishing for much more.

  • Divya Narayan

    Branch Head, Banglore

    If anything is worth doing, it's worth overdoing.

OUR SKILLS

We pride ourselves with strong, flexible and top notch skills.

Marketing

Development 90%
Design 80%
Marketing 70%

Websites

Development 90%
Design 80%
Marketing 70%

PR

Development 90%
Design 80%
Marketing 70%

ACHIEVEMENTS

We help our clients integrate, analyze, and use their data to improve their business.

150

GREAT PROJECTS

300

HAPPY CLIENTS

650

COFFEES DRUNK

1568

FACEBOOK LIKES

STRATEGY & CREATIVITY

Phasellus iaculis dolor nec urna nullam. Vivamus mattis blandit porttitor nullam.

PORTFOLIO

We pride ourselves on bringing a fresh perspective and effective marketing to each project.

Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts
  • App Review For YuppTV (India's Largest & First OTT Player)

    YuppTV is one of the world’s leading over-the-top (OTT) content providers for South Asian Content, as live TV, Catch-up TV, and Unlimited Movies.


    YuppTV's products provide a combination of technologies that provides:
    • Consumers the convenience of a virtual home environment anywhere and anytime.
    • Companies with maximum global reach
    • Content providers with ideal platforms and services to launch their content effortlessly and efficiently.
    • Provides a reliable, resilient and scalable platform for all Broadcasters & Content Providers to reach their target audience globally over 6 screens of Connected TVs, STBs, PC, Smart Phones, Tablets and Social Networking sites.

    YuppTV has headquarter in Atlanta, GA. YuppTV offers 200+ Indian TV Channels in 13 languages that include Hindi, Tamil, Telugu, Malayalam, Kannada, Marathi, Bengali, Punjabi, Oriya, Gujarati, Sinhala, Urdu and Bangla and continues to revolutionize the way TV is viewed across the world.

    The mission of the company is to make it simple and instant for Broadcasters to deliver and consumer to view; live TV, Catch-up TV and Movies anytime and anywhere in the world to any internet enabled device.

    Features
     Content partnerships with 200+ channels in South Asia with rights to key geographies globally.
     Access through 25 devices to six screens i.e. Connected TVs, Internet STBs, Smart Bluray players, PCs, Gaming consoles, Smart Phones and Tablets.
     5000 hours of new on-demand content  is added to YuppTV platform everyday
     Average Viewership duration on subscription model: 5 hours/day/paid subscriber
     Bollywood movies from big production houses
     Live TV | Catch-up TV | Movies | TV Shows
     In-house New Media player: YuppTV Media Player: (set top box)
     10 days of Catch-up TV
     Available in 13 languages
     No cable or no satellite
     24x7 Customer centric support



    YuppTV App Analytics
    • More than 5M visitors per month
    • Peak traffic of 20M visitors monthly on the platform (Google Analytics)
    • Average Viewership duration on subscription model: 5 hours/day/paid subscriber
    • More than 2 Million YuppTV Apps downloaded on Samsung TVs worldwide
    • More than 400,000 YuppTV fans on Facebook
    • 100,000+ YuppTV apps downloaded on LG Smart TV
    • More than 1.5M Nokia App downloads from OVI Store
    India
    • 2nd most downloaded App among Android TV Apps
    • 29th most downloaded App in Entertainment in Android Market Place
    • 4th top downloaded featured App in Nokia Mobile Phones
    Worldwide
    • Boxee Player: Among top10 Apps
    • Samsung: Among top 5 most downloaded Apps
    • YuppTV app pre-installed in Samsung Smart TVs and bluray players in US & UK
    • Only South Asian app available in PS3
  • Samsung Selling Selected Gadgets For Re.1

    Samsung, a well Known Smartphone Giant, has announced a catchy offer in the name of "Make for India Celebration" by offering Smartphone and some other gadgets at Rs.1/-

    Don't get super excited on reading this much only. It is not going to sell smartphone at Re. 1. It is going to offer smartphone at Re. 1 down-payment and Rest all in 4 Easy EMI option. So this is all business strategy. Whenever you come across with this eye-catching offer, be ensured that you would get the phone in EMI only.

    The Galaxy S6 and the Galaxy Note 5 can be bought under this offer. Deal also include Galaxy A7 which will be available at Rs 29,990; the Galaxy A5 priced at Rs 24,900 and the Galaxy Grand Prime 4G will be available at Rs 8,250.

    The deals don’t just stop at smartphones. Home appliances like Samsung UHD TV and Full-HD Curved Smart TV buyers can avail of cash backs, EMI options and free warranty. Samsung is also clubbing in offers on HD DTH connections. Samsung refrigerator buyers can avail of discounts through the exchange schemes and also get some freebies on select models.

    Samsung has extended the offers on other consumer goods such as air conditioners and microwave ovens too.

    Hurry up!!! If you want to avail discount, as this offer is available till 15th May 2016.
  • Reliance Digital Launches 4K LED Smart TV's


    After launching LYF-branded 4G smartphones, Reliance Digital has quietly listed three 4K smart TVs on its website. The 43-inch LYF LYU4301S Ultra HD Smart LED TV is priced at Rs 65,990, the 50-inch LYF LYU5001S Ultra HD Smart LED TV is priced at Rs 84,990, and the 65-inch LYF LYU6501S Ultra HD Smart LED TV is priced at Rs 199,990.


    All three TVs boast the same set of specifications and features, and are only differentiated on the basis of the screen size and price tag. They flaunt a display with 3840×2160 pixels resolution (4K) and a contrast ratio of 1:1200.


    They feature 2GB of RAM, two 8W speakers with Dolby Digital Plus support, three USB ports, three HDMI ports, Wi-Fi connectivity and also supports USB HID. On the software front, they run on Android 4.4 KitKat, with support for screen mirroring, multi-sharing, and Miracast. Reliance Digital has also bundled what it calls Air Mouse Remote.


    Alternatively, you can also download the LYF smart App from the Play Store or the App Store to control the TV via your smartphone.As an introductory offer, Reliance Digital is offering a free Reconnect 2.1Ch Thunderstorm Speaker worth Rs 3,999 with the three TVs.
  • Mi TV 3S Curved Display Launched

    Xiaomi has introduced two really compelling smartphones last month, the Xiaomi Mi 5 and Mi 4S. The Mi 5 is Xiaomi’s long awaited flagship, while the Mi 4S is an incredibly affordable, and yet well-specced mid-range unit. Well, it’s time to take a break from smartphones, at least for a little bit, considering Xiaomi just introduced the next-gen Mi TV smart TV, a device which they have been teasing for the past couple of weeks.


    Xiaomi’s second-gen Mi TV 2 has been introduced back in May 2014, while the 3rd-gen unit was unveiled in October last year. We were expecting the company to wait until Q3 or Q4 to announce the next-gen Mi TV, but Xiaomi opted to introduce the Mi TV 3S today, they company’s all-new smart TV. 



     It is still possible that we’ll get the Mi TV 4 later this year, but who knows. Anyhow, the Mi TV 3S is a beautifully designed smart TV which comes in two size variants. The more affordable variant sports a 43-inch display, while the second one sports a 65-inch panel. The Mi TV 3S units are made out of metal, the smaller variant is 10.9mm thick, while the bigger model is only 5.9mm thick, which is staggering for such a huge TV. The 65-inch model actually sports a curved display, which makes it extremely sleek looking.

    The Mi TV 3S features LG/AUO full HD (1920 x 1080) LCD display, with a self-developed edge backlight technology. Mstar’s 6A908 flagship FHD TV chip fuels this TV, and Dolby and DTS audio dual decoding is also included in this package. The 65-inch model ships with a curved display, and is fueled by Mstar’s 6A928 flagship TV processor.



    Dolby and DTS audio dual decoding is available here as well, and the Mi TV bar (separate unit, as you can see in the image down below) which ships with this TV consists out of 6-piece sound system. Now, the smaller variant of Mi TV 3S is considerably more affordable than the curved 65-inch model. The 43-inch Mi TV 3S costs 1,799 Yuan ($277) in China, while the 65-inch variant goes for a whopping 8,999 Yuan ($1,386).

  • LeTV’s first Le Meetup with fans in Bangalore a huge success!



    Bangalore, Dec, 26: LeTv held its first Le Meetup with its super fans in Bangalore today . The meet witnessed a full house gathering of LeTV’s #Superfans, bloggers, keen tech enthusiasts and influencers from the city who had an exclusive hands-on experience of LeTV’s products even before sales kicked off in India. Le Meetup has been conceived and deftly implemented as an apt platform to bring its Superfans and blogger community together and listen to them speak and experience Le Future up-close.

    The enthusiastic participation from #Superfans and bloggers made the event a lively, interactive exchange rather than just a one-way communication. It turned out to be a great opportunity to meet and chat with fellow #SuperFans, bloggers, LeTV staff and take away LeTV super products. The meetup had an exclusive Q&A session and allowed an open dialogue between fans, bloggers, Youtubers, and Le staff. As the closing note, Ivan Wang, Head , Digital Marketing said “ It has been a truly rewarding experience interacting with our fans and followers.

    We recognize that they are vital and hence we have ensured that our comment response rate is 98% and response time is 3 three minutes. This is a new benchmark in the industry and has been acknowledged by our fans in this very forum. Thank you all for the overwhelming response, your feedback matters and we will very closely consider them. Bangalore rocks ! he concluded. LeTV shared its focus for India as a key market, which along with the US is part of its expansion plan. It also said the company intends to match the product launches in India with that of global launches.

    It revealed that there is a preview event on Jan 5 where the company will make more confirmed announcements on its big launch date.
  • Videocon launches first Windows 10-Based Smart LED TV

    Videocon, in partnership with Microsoft, launched Windows 10 powered LED TV, starting at Rs 39,990. The TV, which can also work as a personal computer, will be available in the market next month.



    "In these changing times, we realised the needs of our consumers of having easy access to technology at their convenience and therefore designed the world's first hybrid TV cum PC," Videocon Head of Technology and Innovation  Akshay Dhoot said here.

    Dhoot said the company expects to have at least 5 percent sales of H2 period coming from the Windows 10 TV and 3 percent from the Android TV sets.

    "Right now, we have launched only 32 and 40-inch models, which are popular in the consumer segment. Depending on the feedback from the market, we would launch 55, 65 and 24-inches also," said Dhoot.

    Speaking on the occasion, Microsoft Director (Windows Business Group) Vineet Durani said Windows 10 has received good response from customers globally with over 110 million downloads.
    “With this innovative product, we intend to extend the Windows 10 experience to more users,” Durani said.

    The Videocon TV comes with full HD display, 2GB RAM, in-built Wi-Fi and 16 GB of internal storage.
  • Doctor Who Season 9 Episode 6 ‘The Women Who Lived’ : Review

    Nobody likes to be spoiled, so we suggest you watch “The Woman Who Lived” before reading this review!

    One theme that keeps recurring on Doctor Who every so often is how the Doctor’s presence/actions/impact leaves its mark on people and places. Usually, the Doctor swoops in, saves the day, and leaves other people to deal with the aftermath on their own. That’s as it should be from a storytelling standpoint; that’s the mythical hero’s job. But, occasionally, we get to catch up with people who’ve met the Doctor and changed because of him, sometimes for the better, but not always. In Catherine Tregenna’s “The Woman Who Lived,” we get to see what happens when the Doctor saves someone’s life, makes them immortal, and then just leaves for several hundred years.



    If you thought it would be good times and happily ever-ever-ever after, then you probably don’t watch much Doctor Who. Last week’s “Girl Who Died“, Ashildr (Maisie Williams), has lived for what is probably close to a thousand years, and she has not benefited from the Doctor’s hands-off approach to live-saving. While it’s implied that he has looked in on her off and on, he hasn’t made his presence known, and she, now a lady of means who dresses up as a highwayman called the Knightmare, has forgotten almost all of the girl she once was, simply dubbing herself “Me.”

    Tregenna’s script has a sci-fi plot about a leonine creature from another dimension, as well as a MacGuffin in the form of an Ancient Greek amulet. However, the episode is really all about exploring what an immortal without a TARDIS would do with her life, and it’s not entirely a good thing. The titles of these two episodes are both literal and very metaphorically apt — Ashildr died, and the resulting person was Me. The girl died, and this is the woman who was left. The casting of Williams proved to be a stroke of genius even more so than before. While she portrayed a starry-eyed Viking girl with aplomb, it’s the un-aging yet impossibly old version of that same human that really allows the actress to show what she can do.

    What does an immortal do with all the time in the world? The answer, we find out, is become “superb.” She makes mention of the assertion that it takes 10,000 hours to become good at anything, but with 100,000 hours, you can virtually master anything, including holding one’s breath, firing arrows, speaking with a voice entirely too deep to actually exist inside her voice box, and it would appear a lot more. One of the most brilliant touches in the episode is to have walls and walls of journals, not unlike the Doctor’s bafflingly thin 2,000 Year Diary. Me’s journals contain all of her many, many adventures, which she reads because she can no longer remember herself. She tears out the pages containing painful memories, yet leaves the pages about burying her children to remind her not to have anymore. That’s utterly heartbreaking.



    We also find out that she’s never used the second immortality chip (essentially) that she was given by the Doctor, because, as she says, “nobody was good enough.” That’s a level of fear that we might comprehend but not understand. She didn’t even give it to her children, mostly because she wouldn’t wish her fate on anyone else. Humans may be Mayflies, but you get the sense that Lady Me envies them entirely, with their love of life and their ability to die. This is why the character of Sam Swift the Quick (Rufus Hound) is so integral, because he represents living life to the fullest, which Lady Me hasn’t done in probably 500 years.

    My favorite scenes in the whole episode are when Lady Me begs the Doctor to take her with him and he simply won’t, at first not saying anything and later saying “because it wouldn’t be good.” Naturally, for someone who has felt abandoned by this big hero, it leads her to turn entirely to work with the Lion Guy. However, we find out at the end of the episode that the reason he won’t take her with him is because being around other immortals makes one hardened; it has dulled the plight, the fragility, and the beauty of a finite life. This is why he travels with Clara (and has traveled with so many he’s lost) and this is why he hasn’t made her, or any of them immortal, which Lady Me asks him about.

    And Lady Me ultimately decides that her lot in life is to be there to clean up after the Doctor, to attend to the people he leaves behind as he swoops in and out of their lives. She’ll be in the background for all of the Doctor’s exploits — and will maybe meet Captain Jack Harkness one day? — to make sure he doesn’t do to them what he did to her. They aren’t enemies, but friends who have to make sure the other doesn’t do wrong. One of the best lines comes at the end when the Doctor says he’s glad he saved her life, and Me replies “Everyone will be.” Chilling, but also pretty badass.

    And, we once again have an allusion to Clara not being around forever. Anytime anyone says “I’m not going anywhere” in relation to a show where you already know the actor is leaving, it’s proooooobably not gonna continue much longer. But, that’ll be for another day, I expect.

    We’re officially halfway through Series 9 of Doctor Who and I think it might be one of the best series they’ve ever done. All six episodes have offered us a look at the Doctor in a way that the previous series really had not. If Series 8 was about how the Doctor and his companion get along when they don’t see eye to eye, Series 9, so far at least, is about what it means to be the Doctor, the nature of being this 2,000-year-old Time Lord and the effect he has on the environment and the people with whom he interacts. Even though he’s been the main character since the beginning, the Doctor’s nature hasn’t been explored too much, and I’m loving it. Let Catherine Tregenna write more, because this episode rocked.
    Next week, we begin a two-part adventure (what?! Two parts?! Yes, again) about a Zygon invasion. Fittingly, the first episode is called “The Zygon Invasion”, written by Peter Harness who last year wrote the controversial “Kill the Moon.” Also, it looks like Osgood (Ingrid Oliver) is back, either meaning it takes place prior to “Death in Heaven” or it’ll be explained away by Zygon duplication. Regardless, I’m excited for it.
  • Arrow Season 4 Episode 3 "Restoration" : Review:

    In my review of the Season 4 premiere, I was very cautious about letting myself think Arrow had gotten back on something resembling a track. Last week's episode gave more evidence that the show had not only gotten onto a track, but had a story engine ready to do some fun and entertaining, if not interesting, things. A lot of my cautiousness had faded away. Hell, "The Candidate" even had a fight sequence that wasn't cut into a chaotic mess and was content to let the choreography do its thing (a trend that continued in this episode, I was happy to see).
    And then Laurel decided that she wanted to bring Sara back to life using the same thing that turned Thea, a young woman she'd known all her life, into a little rage monster, and I just put my head in my hands and sighed very loudly. It made no sense for Laurel to want to do this. She had come to grips with Sara's death. There was a whole episode about it, and it was good! The Laurel in the first half of Season 3? The one not wanting to listen to reason and consumed by grief and ready to kill a guy on the off chance he had killed Sara? That Laurel would've put Sara in the Lazarus Pit lickety-split, but that Laurel wasn't the Laurel that has existed since Season 3, Episode 13.


    But grief is a tricky, sneaky emotion. It hits us when we least expect, and any little thing can trigger a wave of it, even when we think we've got it contained. Had Arrow done anything to show Laurel struggling toward the end of Season 3 or within the first two episodes of this season, maybe I'd have a different response to half of "Restoration." Sadly, for Arrow and for Laurel, the only thing that triggered her sudden grief relapse was the non-character-driven need to bring Sara back for Legends of Tomorrow, the spin-off premiering at midseason.

    Both Arrow and The Flash are having to do storylines to set up Legends. That's fine; it was going to happen. Flash has to spend time establishing why Captain Cold would even want to join a bunch of heroes to save the world and also find someone else to be the other half of the Firestorm matrix now that Ronnie is no longer around. Arrow has to bring back Sara and also Ray Palmer (presumably, that's who was contacting Felicity on her phone in this episode). All of that, really, was largely doable for both shows, but the Sara aspect was always going to be difficult, and "Restoration" proved just how hard it turned out to be.
    So not only was there virtually no character-driven reason for Laurel to want to do this, the episode shifted its focus entirely away from her to instead make the resurrection of Sara about Thea and Malcolm. That this was how the episode decided to handle the issue felt like an admission that they had no Laurel-based reason, and that they hoped exploring the causes and potential solutions for Thea's bloodlust would suffice instead. It didn't. All it did was demonstrate just how little sense it made to bring Sara back this way.


    To be fair, Sara's death was all about Thea and Malcolm—they did kill her, after all—so there was a strand of relevance to it. It was just very poorly dramatized. Malcolm wanted to prove that he'd do anything for Thea by first allowing Thea to kill members of the League and then agreeing to resurrect Sara to heal Thea's conscience. But tell me, please, when Sara has to start killing people to satisfy her own bloodlust, how will that sit on Thea's conscience? Thea was totally unwilling to allow this to happen to Sara given what she herself was going through, but she was apparently convinced by Malcolm's dumb argument about letting Sara have the same chance to fight the oncoming desire to kill a bunch of people that she let it happened anyway... because of the spin-off. Nyssa had some sort of concoction that apparently rendered the Lazarus Pit useless, and despite being wholly against bringing Sara back to life, she decided to wait until afterSara was resurrected to use it. Why didn't Nyssa use it before they did the ceremony? Because of the spin-off.
    There was no dramatic sense or character-based logic for any of this to happen the way it did. I understand that Arrow was backed into something of a corner because it was decided that Sara would be part of Legends and, whoops, she was dead. But since the people who make Arrow are also making Legends, it's not like the decision was forced on them. I mean, when you've opened up a breach to a second Earth on The Flash, how hard would it have been to just make it so Earth-2 Sara had arrived on Earth-1 and spared us all of this?
    I'm not opposed to Legends of Tomorrow—even if I am cynical about the reasons why the spin-off is happening—so I don't want my negative reception about how this all went down to be mistaken for that. It's entirely because the demands of that show are hurting this show and its characters when it appeared to be something of a narrative upswing. It's disappointing. The upside is that Arrow will spend at least the next two episodes dealing with what bringing Sara back is going to mean for everyone.

    By comparison, the focus on Original Team Arrow (plus Curtis Holt) in the other half of the episode was rather fun. The little callbacks to Season 1—I had forgotten about Dodger and his little bomb collars; ah, simpler times—were nice, but I really liked how the character interactions in this plot mirrored a lot of the character interactions that season as well. Oliver and Diggle were learning how to trust one another again and figure out their dynamics just as they were when Oliver first started out in Star(ling) City, and Diggle was the one being distant and putting himself at real risk the way Oliver did in Season 1. Felicity found herself in the Season 1 Oliver role of being a boss and going to a tech person to get assistance while doing a horrible job of lying about the reason she needed help looking at a playing card. It turned out that she's not any better at it than Oliver was in Season 1.
    These situations felt not only like they were rewarding viewers who have been with the show for a while (or at least caught up before this season!) with bits of a cheeky role reversal, but also highlighted the new dynamics that each of these characters have come to since those good old days... when Oliver used to kill a lot of people. Okay, so the nostalgia was honestly pretty rose-tinted, but it was still indicative of the less grim tone they've been striving for this season. It's a good sign that, despite the rest of the episode, there's still reason to be somewhat optimistic that when Arrow isn't dealing with setting up Legends it's going to be good.
    Mostly, though, I'm glad that Oliver and Diggle have made actual progress in mending their relationship. I don't want them to be bestest buddies by next week just because they took down Double Down (J.R. Bourne, having fun being a little ridiculous) together, or because Diggle finally shared his research into H.I.V.E. (or is just Hive or HIVE?) with Oliver. It's a step—a good step, but still a step. I would love the show to really pace this relationship's rehabilitation, even if it did sort of make Oliver and Diggle both look like little kids with Felicity (humorously) putting them in a time out in their own superhero lair.
    On a season arc level, I am a little sad that the team was denied even a little advancement into finding out about H.I.V.E, but we did learn that Damien is in Star City to begin Phase 3 of something called Genesis, so I suppose that's something. And now that our heroes have an organization to focus their attentions on, more things may begin coming to light.









  • Supernatural Season 11 Episode 3 “The Bad Seed” : Review

    In my last Supernatural review, I characterized The Darkness as a destructive force; chaos bent on breaking the rules, instead of playing by them. But I wasn’t totally correct. I thought The Darkness was more like a tornado, or a hurricane, or a nuclear bomb. I thought that she was, as her name suggested, a never-ending pitch-black night that blotted out everything around her.



    But where I was wrong is that she’s as much a creative force as destructive. She’s not Lucifer, or Michael; she’s not a bulldozer. She’s also not a farmer, or a parent; she does not curate and create life. Rather, The Darkness is both. The Darkness is evolution.

    She sees God’s plan as a failure; this world suffers because God made it that way, and she doesn’t understand why. She is puzzled by Crowley’s desire to turn the whole world evil. Would Crowley really enjoy a world where everyone was like him? The Darkness is much more interested in remaking the world into a better place, devoid of suffering; she believes that she would’ve done a better job creating the universe than God did. Crowley said, “The Big Bang was more like a Big Bust,” and she can’t agree more.

    * * * * *

    What is going on in the rest of the Supernatural universe? I think about this sometimes when we come across characters who have existed independent of the Winchesters. Angels and demons and monsters and people, all who have lived complete lives without ever crossing the path of the two most notorious hunters on the planet. We mostly get big picture stuff when it comes to them; they deliver what is necessary to move the plot or the character, and that is the last we see of them.

    An angel and a demon go into a bar, and they share a drink. You’d think this would end in bloodshed (or at the very least a really bad joke), but it doesn’t. It makes perfect sense that there would be overlap between angels and demons, that friendships would exist outside of whatever cultural norms paranormal beings ascribe to. It actually makes the events of the past make more sense and have more weight. There has always been a hanging question, dangling just above our heads, of whether monsters can be trusted. Usually, the answer is a resounding no. But it adds depth if it is true.



    People who are scared, but who can’t admit it, puff up their chests and make proclamations; the gyrations mask the shaking whiskey held between their finger tips. This angel and this demon are scared.  They make proclamations about giving power to the little guy, and about doing something about The Darkness even when their bosses won’t. They are so afraid that they even meet out in the wide open, so that they can talk and drink, and lie to each other about how they can make the world a better place. The rank and file of Heaven and Hell are truly, deeply afraid.

    * * * * *

    Sam and Dean cured Castiel by rescuing Rowena. But they did not ask her for help against The Darkness, and that is strange. They are underestimating The Darkness, and it doesn’t make much sense why they would.

    The brothers are going to need all hands on deck for this one, and that means everyone. They no longer get to choose who they associate with. They’re going to need Metatron, and Rowena, and Crowley; they’re going to need Castiel, and Lucifer, and Michael, too. Last episode, Sam started having a vision, as brought on by God himself, that told him where he had to go. Lucifer’s Cage is the only place in the whole wide universe that has enough knowledge and power to truly give them a shot against The Darkness.

    If they don’t, they lose. There is no other option. It’s going to be a bloodbath, and most of them will die. Hell, most of everyone will die.

    * * * * *

    In Terminator 2: Judgement Day, Sarah and John Connor manage to destroy the Cyberdyne lab and avert the rise of Skynet, or so they thought. But really, they had simply kicked the can down the road, and it eventually came to pass.

    There is an alternate universe where Lucifer was never put back in the Cage, where Sam was totally taken over, and the world really did end. Present!Dean was sent there by Zachariah to show him the consequences of not cooperating with the angels. In that future, Future!Dean is killed, as is everyone else who makes an assault on Lucifer’s compound. This was supposed to come to pass in 2014.

    “No matter what, you always end up here.”

    Maybe they just kicked it down the road by stuffing Lucifer into the Cage. Maybe this has to come to pass, one way or another. Looking back at the last five seasons, it’s been a slow march towards getting The Mark on, and then off, Dean. The Leviathans lead to The Trials, which lead to Metatron and Abbadon, which lead to the closing of Heaven, which lead to The Mark. The Mark leads to The Darkness. There is no way to know if that was planned out, or just taken advantage of by the writers. Regardless, it is not implausible that, faced with a power too great to deal with on their own, the Winchesters turn to other great powers, like Lucifer, to back them up.

    If God is as powerful as he seems to be, then the idea that his prophecy could be overcome is more than a little laughable. Perhaps this is the universe correcting itself, and bending itself to God’s will. Or maybe fan theories are cooler than the show itself. Very, very possible.

    * * * * *

    Supernatural is more serialized than I’ve ever seen it. Like I said in my last review, this probably won’t last, but I like it a lot. It is, in my memory, the strongest opening stretch of episodes that the series has ever had. I am really into what is going on, and I hope that stays true.

    One complaint: Supernatural can try too hard to keep the campiness going, and Crowley is suffering for a bit in his interactions with Amara. Less jokes about Crowley buying kids books would be good is all I’m saying.


  • Limitless Season 1 Episode 5 "Personality Crisis" : Review


    As Limitless Season 1 has (and should) continued to play up the fun during its episodes, it’s good to see some consequences and more serious aspects get their moments. The case of the week for Limitless Season 1 Episode 5 certainly implied mass chaos and destruction with the bomb, which never really got that close to being that, but it was far more of a device to give  Brian some character growth outside of being Mr. Happy Nice Guy. The day was saved, and the bad guy stopped, but there was a cost.




    And it wasn’t a cost I thought the series would even attempt. I assumed Chris Harper being shot would have been merely a flesh wound, not him getting killed. Instead, Brian learned that working for the FBI isn’t just fun and games, real people can get hurt. But it wasn’t just that someone was killed, it was someone he had managed to sort of bond with, get to know, and even at one point begrudgingly manipulate to get him to that meeting with his brother. 
    Brian felt responsible, and as much as it was good that Rebecca tried to talk to him about what he’d done, about the overall good he managed to do, this wasn’t some quick fix. It was a solid emotional moment for the character that also played into him telling Rebecca about her father and NZT. He’d been toying around with the idea of telling her, but the NZT version of himself was adamant Brian not tell Rebecca.



    That was an interesting aspect that even Brian questioned in that it was odd that him on NZT was talking to him like a different person. Didn’t he just have a conversation with Rebecca about being two different people on NZT, and she reassured him it’s just one him? I’m curious to see how that might play out the longer Brian is on NZT. But I was glad that Brian off NZT was determined to tell Rebecca about the file, despite the warnings, despite Supermax, and despite Mr. Sands.
    This was something he felt he had to do, and frankly, I’m pleased it’s not a storyline that’s getting dragged out over the course of the season. Granted, Mr. Sands is going to be pissed, and Eddie Morra probably as well, but hopefully it brings Brian and Rebecca even closer together. Though, I’m sure there’s going to be more questions than answers after the fact. Bradley Cooper is going to have some explaining to do.



    At the same time, I like how Limitless is treating Brian and Rebecca’s relationship without forcing them to be romantically involved. It’s just not necessary, especially this early in the series. So it was a actually a pleasant surprise to find out that Rebecca had a secret boyfriend in Rooks, in addition to seeing the Dexter reunion between Jennifer Carpenter and Desmond Harrington. The two have a solid chemistry together and are believable as a couple. Their characters have some great flirty banter, and it will be interesting to see that relationship grow. 

    What’s more, Rooks was actually a cool guy helping Brian (after the hilarious Bruce Lee debacle) get some training, and he doesn’t seem to be some jerk who has to step on Brian if he gets jealous. This was definitely an hour that really emphasized the importance of the characters on the show and making them more than just tools to solve a twist-filled case. And it’s great to see that as the story progresses for Brian, as much fun as it is to see him crack jokes and make clay versions of the others, adding some emotional and impactful moments help round things out. It makes you far more interested to see where the overall story goes.

  • The Flash Season 2 Episode 3 "Family of Rogues" : Review

    With week two of The Flash‘s second season returning to the familiar feel and formula of The CW’s immediate hit, week three decides to push nearly all of the new world-building and ‘multiverse’ mythology to the side.


     Instead, past characters make a return – and the existing cast is allowed to shine – to make sure that the building momentum of the show’s plot is pulling every side of its universe along with it. In “Family of Rogues”, written by Julian Meiojas and Katherine Walczak, the S.T.A.R. Labs team is paid a surprise visit by Lisa Snart, concerned that her brother Lenny has gotten in over his head. In reality, he’s been pressed into pulling off a robbery with his father to keep his sister’s head on her shoulders. Meanwhile, Joe tells Iris the truth about her mother, and Jay and Caitlin try to stabilize the Earth-2 breach in S.T.A.R. Labs’ basement.


    There’s a good chance that some fans were less than thrilled to learn that the building mystery surrounding Zoom and his mission to kill Barry Allen was going to be put on hold, with the spotlight retaken by Captain Cold (Wentworth Miller) and his sister, Golden Glider (Peyton List). Two villains that were, if we’re being kind, a bit more “heightened” (or more at home in Arrow) than Flash fans have come to appreciate.


    It’s an added bonus, then, that both of their stories were pleasantly restrained and unexpected. It’s hard to know if the decision is motivated purely by director John Showalter or viewer feedback from season one, but Miller in particular got the message loud and clear: he was cast as the head Rogue for a reason.


     Letting his stare do the talking, and letting the sharp dialogue between Barry and Snart shine, both viewers and comic fans will no doubt be thrilled at the improvement. Sure, it may be due to the fact that Legends of Tomorrow will require Leonard Snart to fight for the good guys, but developing him as a rival to The Flash and not an enemy is an uncommon twist in the superhero genre. And seeing the two join forces to foil Lewis Snart’s (Michael Ironside) plan wasn’t just entertaining – it made large scale superheroics unnecessary. Cracking a keypad and catching a bullet being every bit as gripping as the show’s CG-fueled spectacle could be a criticism, but… fans won’t complain.

    Fans left unsatisfied with the purpose served by Iris West (Candice Patton) in the latter half of The Flash season one have been waiting patiently to see what changes were coming, being referred to as “a born leader,” and expected to play a special role in the story going forward. With no sign of where Iris is headed so far, “Family of Rogues” also found room for a heartfelt scene between Iris and her father, Joe (Jesse L. Martin). 


    It’s hard not to watch this subplot develop – estranged parent, secrets revealed, trust potentially broken – without noting similarities to the usual family melodrama Arrow has relied on time and again. Luckily, the Wests come out completely on top. Not only is the scene built on simply letting Martin deliver a tearful monologue – a wise choice – but the sigh of relief from every fan when Iris actually understood her father’s reasoning is a stark reminder of the differences between The CW’s two superhero shows in their early seasons.


     It’s hard to tell if that can be maintained as the plot thickens further, but the time spent on the scene proves the showrunners still want their audience reminded of what makes The Flash different. Parallel worlds and armed villains are important… but so are the families and bonds between the characters.
  • Gotham Season 2 Episode 5"Scarification" :Review

    People getting burned. People getting beat. People getting blown up (by the cops no less). People losing body parts.

    And Penguin doing what he did to Butch? Wow. Didn't see that one coming.



    Gotham Season 2 Episode 5 was certainly bloody, but I'm glad Penguin finally found a way to out-scheme Galavan so he can rescue his mother. If his plan works, that is.
    Gertrud needs to be saved. Penguin is losing his mind and becoming crazier, especially to have chopped off Butch's arm. He's really getting desperate, and being used as Galavan's "tool" is getting old.

    Besides, Butch has been really twitchy lately,and I get the feeling that sooner rather than later it's not going to bode well for Penguin. I'm a bit curious about that twitchiness, though. What does it mean?

    Is the conditioning Zsasz did to Butch wearing off? Or is there something more diabolical happening here? Like Fish coming back (it was talked about this hour)? Wouldn't that be a hoot seeing Fish face her repackaged self?

    Galavan is still not that intimidating, though. Boring is more like it. I'd love to see Fish point her gnarly finger at him and slap him across the face for being so boring.

    As I said in my review of Gotham Season 2 Episode 4, Galvan is just one lucky bastard. Always at the right place at the right time. Always. But he plays the part well.

    You have to give him that. He certainly has all of Gotham fooled. Especially Jim, who just may have made a deal with the real devil this time when he agreed to endorse Galavan for mayor after Garrett is killed.

    Why is Jim so blind and where are his cop senses? Shouldn't he have "feelings" about this guy? I mean, Galavan is just too convenient. I actually believe that Bullock is going to be the one to figure it all out. The hairs on the back of his neck are already rising when he sees this guy.

    It was also interesting to find out Galavan may only be a puppet in his big production. Father Creel seems to have a bit more authority than good ole Galavan. I'm actually looking forward to seeing how this all plays out. I'd love for Galavan to turn out to be somebody's lackey.

    Still, the whole backstory of why the Galavans are seeking blood seems a bit contrived...and stale. It's a story we've heard a hundred times before: girl gets into a tryst with a forbidden lover, gets caught, lies, and the lover gets punished. Yawn and double yawn.

    Why wait 200 years to seek vengeance, anyway? It certainly doesn't seem fair that all these "warriors" are coming to take down a 13-year-old boy who's the last of his clan. Wouldn't it have been better to have killed Bruce in front of his parents and then killed his parents?

    And it's pretty obvious these "warriors" are planning to use the very knife that maimed their ancestor to maim and kill Bruce. Otherwise, why steal it in the first place? It all seems rather obvious.

    I also thought the whole Firefly story was a bit contrived and disappointing. The promos were a lot more exciting than what we actually saw this hour. Instead of a big bad villain, we got a Cinderella story in disguise. Instead of an evil stepmother, we got three evil and abusive stepbrothers. And, instead of a fairy godmother, we got Selina Kyle.

    How can we even believe that Bridgit will be an effective villain when she is wrought with stupidity and meekness? She couldn't even figure out what to do after she lit the fuse. She just stood there waiting for her brother's instructions. Every action she took when setting those explosives was dictated by her brothers.

    When she lost contact with them, she froze instead of doing something simple, like running, to save her own skin. She did the same stupid stuff the next night. Unfortunately, this time, she killed a cop while her brothers ran off. Fortunately, though, her fairy godmother was present to save her ass and help her escape. Wasn't that convenient? Another character always in the right place at the right time.

    Why are women so lame in Gotham? That's a rant for another day.

    One other thing I have to point out is something I mentioned in the beginning of the piece: the violence. I'm not really sure all of it was necessary. The scene with Evan Pike? Was it just too convenient that he happened to stuff a plastic explosive down his pants while shopping at The Merc? And was it really necessary for both Jim and Barnes to not only chase this guy down, but shoot him multiple times because he pulled out a gun?



    The slo-mo of him getting shot before he blows up was way over the top. Even for Gotham. And the kicker? When Jim gets home to Lee's dinner party, he acts like nothing out-of-the-ordinary happened. Now, that's cold.

    Though a dark and violent episode, "Scarification" stayed consistent, for the most part, throughout the hour. It didn't have me on the edge of my seat, but it intrigued me enough to want to continue watching to see what happens next.
  • "Just Survive Somehow" Walking dead Season 6 Episode 2 : Review

    After the previous episode's teasing, this week's The Walking Dead is a feast of violence... Before reading this review,you can watch entire episode here : -http://dayt.se/forum/showthread.php?6805-The-Walking-Dead-Season-6-Episode-2-Download-S06E02-1080p-Streaming-Subtitles



    The Walking Dead's best character has been Carol Peletier, and it's been that way for a couple of seasons now. She started out as the happy homemaker—the very role she's playing around Alexandria—taking canned food or raw game and making it palatable for finicky modern taste buds. Carol is consistently showing off the skills she learned in the years before the apocalypse, from making cookies without refined sugar to turning celery soup into something edible via the magic of paprika and water chestnuts. She's worked a little of that kitchen magic on herself, too, transforming from a meek mouse into a wolf in sheep's clothing, as dangerous and deadly as the gang of attackers scaling Alexandria's walls.

     After Carol's impromptu cooking lesson, the episode lingers on some domestic drama. After all, Rick executed a guy in front of the town last season, and they haven't seen that type of behaviour at all. Jessie is dealing with a cranky teenager with a knit cap, Eugene and Tara are hanging out with the new doctor Denise Cloyd (Merritt Wever), and Maggie and Who The Hell Is Deanna are discussing expanding the town, planting crops, and restoring some normality to the town. Then Molotov cocktails start flying over the grate and everything quite literally devolves into screaming, stabbing, and shattering. Thanks to good luck, careful wall manufacturing, and skillful diplomacy, Alexandria has been spared conflict, but they're about to get their first bloody nose, and it comes at the hand of a group of survivors so horrible that even Rick and his gang will be hard-pressed to handle them: the Wolves. Or, Rick and his gang would be hard-pressed to handle them, if they were there. Instead, it's Rick's B-team, plus Carol, who have to turn back the attacking horde of raggedy rapists and limb-choppers. Splitting Rick's group up usually pays dividends, and this episode is no different. You separate the folks up a little bit and give them some new Alexandrians to play off of, and you see what happens. After all, Rick's mission is really important, so it makes sense there wouldn't be a lot of other people left behind. Having untested Alexandrians left Rick's group vulnerable; being outnumbered leaves Carol's group vulnerable. At any point in the first episode, someone other than Ethan Embry could have died; this week, anyone from the group of Carol, Eugene, Carl, Tara, Rosita, or Maggie could die. Fortunately, they have Carol, and that's all you really need.



     First Time Again was a lot of teasing. Zombies shuffled on and off the path, and at any moment you felt like everything could boil over. The sounding horn was just the thing needed to lure thousands of undead to a delicious dinner of canned Alexandrian. JSS is a feast of violence. From the moment the Wolves show up to do their thing, there's nothing but fight scenes, building up to fight scenes, or fleeing from fight scenes while people get chopped up. It's awesome, because Carol gets to do the thing she's best at and Morgan gets to put his stick-fighting skills to good use (plus a bonus Carl not staying in the house). In the hands of director Jennifer Lynch (who worked with Seth Gilliam on Teen Wolf and directed episode 5.14 Spend from last year), Carol becomes the lead character in an action video game. She skulks behind coverage, watching chaos all around her, but only striking when the time to strike is right. She'll gun down four Wolves in a row while on the move, stab another Wolf from behind, and much like she did in last season's staggering premiere episode, No Sanctuary, she does it all from behind a disguise. Sure, the Alexandrians might be figuring out that Carol is a bad-ass in disguise, but she needs the element of surprise, particularly when Morgan is doing dumb things like letting raiders live. I'm not sure what Morgan's game is, and Seth Hoffman's script doesn't make it clear, either. He's all about giving people second and third chances. I'm not sure if that's because of his time as a crazy person or because he needed a second chance after that, so he's giving other folks an opportunity to redeem themselves. There seemed to be some kind of recognition between Morgan and some of the Wolves, though. Their paths must have crossed at some point, aside from finding the occasional severed zombie head with a W carved into it. Morgan's kindness is weakness, and I think we've been through enough to realize that letting anyone get away from Alexandria is probably a bad idea, but... maybe it's also a good idea?





     Consider it: if you send a force of troops out and they never return from the target, maybe they mutinied, maybe they got eaten by zombies, maybe they just all caught dysentery from bad canned goods. If you send out a force and a few stragglers return, beaten and bloodied with tales of the black Shaolin monk and the middle-aged Housefrau Rambo who killed or clobbered a dozen hardened killers between them, what's more likely to have you sending out reinforcements or another raiding party? A clean sweep might bring doom; survivors might bring a little respite. Of course, looking at this through the lens of television, I know that survivors alive means the Wolves will come in force and attempt to take (or just take) Alexandria, assuming the horde of zombies doesn't get there first. That's the best thing about how this season has been unfolding. All the while Rick and company are struggling to keep the town safe, it's getting attacked. Just when Carol feels like it's safe to exhale, there's a horde of thousands of zombies headed right towards them. Tension, explosion... another explosion? Out of the frying pan and everyone's on fire?
  • Arrow Season 4 Episode 2 "The Candidate" : Review

    Arrow has found a new candidate for mayor of Star City, and it’s none other than the Green Arrow himself! But what on earth inspired Oliver to put down his bow in favor of a suit and tie? Let’s get right into season four, episode 2, “The Candidate.”

    When the hour begins, Team Arrow is really on their game searching for a bomb and taking out the ghosts guarding it. This is one well-oiled machine, people! But Oliver is still worried about Thea’s rage in the field, while she doesn’t think anything’s wrong. Of course, we all know where this is heading.

    Back in the Arrow lair, Felicity tells Oliver that it’s officially her first day back on the job as CEO of Palmer Tech, and to celebrate, he packs her a lunch (!) and gives her a new love fern (!!), officially cementing his role as the house husband (without the actual marriage… although, give it time. We all saw that ring). That sound you hear? Fans everywhere are swooning.



    In Oliver’s loft, he and Thea have a meal with their mother’s friend Jessica Danforth and her daughter Madison, during which Jessica  declares her intentions of running for mayor of Star City. But Oliver and Thea are right to warn her against it – at the press conference announcing her run, a guy named Lonnie Machin tries to kidnap and kill her. Oliver buys the truck Lonnie touched while making his getaway, but the prints are all wonky. Ss in, Felicity thinks he cut off his fingertips and played mix-and-match to hide his true identity. Gross!
    At her first Palmer Tech board meeting, Felicity is shocked to learn that the company is not doing well at all financially, but an employee, Curtis Holt, has an idea on how to save the company: fire a bunch of people. But she’s not interested in putting people out of work.

    When Felicity brings Curtis in to reprimand him for his heartlessness, he reveals that he actually came up with the algorithm that figured out which people to fire instead as a way to get company-wide raises, and his boss made him use it for evil instead. Awww, he’s just a softy at heart! But they still end up having to fire a bunch of people, and they do not like it. Even worse: his name was on the list. Ouch.

    Meanwhile, during their stake out the police precinct in Lonnie hit it up to finish the job, Diggle finally confides in Laurel about his knowledge of Damien Dahrk’s HIVE. Nice timing. It only took him about two years to do it!



    It turns out that Lonnie was, no surprises here, hired to kill Jessica by none other than Damien Dahrk! They meet up and Damien tells him he failed to impress his “organization,” the same group who wants Star City to die so it can be reborn. But Lonnie won’t take no for an answer and claims he’s not done yet, and he promises Damien that in the end, Jessica Danforth will not run for mayor.

    Too bad for him, since Felicity figures out where he’s been hiding, and Oliver and Thea go to question possible witnesses. However, she gets a little too into the questioning and breaks some guy’s arm without hesitation, alerting Oliver that he wasn’t wrong to worry about her.

    Back at the Arrow lair, Oliver confronts Thea over the way she’s been fighting – not to disarm, but to cripple – and confesses to everyone how Malcolm warned him that people don’t come back from the pit the same. She freaks out and attacks him, and it’s clear that he was right. When Laurel asks Thea about it later, Thea tells her all about the Lazarus Pit, and it gives Laurel an idea about how to save her sister.

    Later, when Oliver tries to get Jessica to drop out of the race again, she lets him know she’s doing this for her daughter… which makes him realize Madison is not safe either. But he realizes this too late, as her police detail are all dead, and she’s missing. Lonnie is proud of himself for kidnapping Jessica’s daughter, but Damien tells him that there are some lines you don’t cross. That’s why he gives Lance the address of where Lonnie is keeping Madison, but only after letting him know once again that his own daughter is in danger if Lance doesn’t follow Damien’s orders.

    Lance immediately calls Oliver and tells him the address, and Team Arrow infiltrates Lonnie’s hideout. Diggle get Madison to safety, while Oliver and Thea go after Lonnie. But after pushing him into gasoline, she uses his own shock stick and lights him on fire, again without any hesitation, and she realizes that Oliver was right about her.



    Back at the precinct, Madison is reunited with her mother, and Jessica tells everyone she’s withdrawing her candidacy after it put her family in danger. That inspires Oliver to decide to run for mayor himself, so he can inspire in the light, while also being able to take care of himself if anyone came after him in the shadows. Mayor Oliver?! Hey, it could work!

    Felicity calls another emergency board meeting, and this time tells everyone she’s re-hired everyone she already fired, including Curtis, who had been working on a new project that will revolutionize technology and save the company from financial ruin. The board is skeptic but tell her that they needs to present it in six months at the shareholders meeting. The issue is, she made that whole story up, hoping that Curtis really did have something up his sleeve. Looks like they’ve got some work to do!



    Back at Laurel’s, Oliver apologizes to Thea for keeping the secret about the Pit from her, and Laurel tells Oliver she’s taking Thea away for a spa getaway for a few days, leaving Star City in Oliver and Diggle’s hands. But she was lying to Oliver: she wants to take Thea to Nanda Parbat to get help from the League, both for Thea and Sara. And so they go right to Sara’s grave and dig her up, and she. Looks. Gnarly. Yikes. Who wants to bet that bringing someone back who has been dead for almost a year is going to be rough.

    Meanwhile, while the ambulance was taking Lonnie to the hospital so he could get treated for his severe burns, he somehow managed to get up off the gurney and kill all the paramedics and then usedhis own blood to write the symbol for “anarchy” on the wall. And just like that, Anarky is born!


    In the flashbacks this week, Oliver kills the man who had him at gunpoint after he parachuted onto Lian Yu, and gets orders from ARGUS to “infiltrate” and “make them trust you.” He then finds a group of people being held hostage by soldiers, farming some kind of roses? We’re actually not really sure what’s going on here. But Oliver ends up landing the job of the man he killed, and he cleans up so much he looks like the Oliver in the present! He’s taking his orders seriously, and bullies the farmers in order to get the other soldiers to trust him. What is going on?

    What did you think of this week’s Arrow? What is the deal with Lian Yu’s flower farm? Is Laurel insane for wanting to put her sister through the Lazarus Pit after watching Thea go through it? What is Anarky going to do next? Hit the comments section below to weigh in now!

  • Doctor Who Season 9 Episode 5 ‘The Girl Who Died’ : Review

    Watch Full episode here before reading this review :   http://www.vidbaba.com/files/49c0362e5a85db4f8b5880c28ed7ffa5



    The Vikings gave us a lot of words that we use in common English. I saw it on a Horrible Histories once so it’s true. One of them was ‘happy’. That’s fortunate, because it’s a great word to apply to ‘The Girl Who Died’ – 45 minutes of Saturday-morning style fun that should make fans very happy indeed. With cartoonish vigour we’re dropped into the middle of an adventure, just as Neil Gaiman wanted us to be in ‘The Doctor’s Wife’ with The Beatles or Rain Gods, but had to cut for reasons of time. Here Jamie Mathieson gives us TARDIS console pyrotechnics, talk of battle, and Clara drifting through the void while an unseen creepy-crawly makes a bid for her delicious brain. As openers go, it’s the most impressive since ‘The Magician’s Apprentice’.

    Then we’re set down in a Viking village so far in the backwater that they haven’t heard that Vikings didn’t actually wear horns on their helmets. Without sonic sunnies to hide behind, Peter Capaldi’s Doctor does a top Tom Baker impersonation and whips out a familiar yo-yo. He’s softened since the last time he whipped it out in Season 8’s ‘Kill the Moon’, hasn’t he? The Heavens open, and in yo-yo the Mire (another Viking word, etymology fans): a deadly race who, like a militant Tropicana, have come to squeeze only the ripest warriors for their manly juices, with no bits in. What follows might rankle those who sat stony-faced during ‘Robot of Sherwood’, as we get a Viking version of Dad’s Army with The Doctor as Captain Mainwaring to a Homestead Guard of incompetents.



    And then it becomes Home Alone as The Doctor works out a plan involving electric eels, some anvils, a ‘rubbish’ figurehead and a feasting hall. Compared to recent episodes, The Mire’s defeat is a pleasingly simple solution, But they’re simple villains; essentially tinned Sontarans or Judoon. And anyway, it’s not really about baddies this week is it? Just like The Doctor, your attention’s split between a straightforward foe and a mysterious girl. It’s a thesis for another time, but even through other writers Moffat likes to make a mystery of women, doesn’t he? River, Clara, Missy… Now Game of Thrones star Maisie Williams continues the tradition. Ashildr believes in the power of stories. That’s another Moffatism right there: the power of stories. From ‘Silence in the Library’ all the way to ‘The Angels Take Manhattan’ and the many chapters in between. It’s a sign of Maisie Williams’ envied natural talent that she lifts Ashildr above being convenience or novelty. Were it not her in the role – and had the significance of her character not been so unsubtly telegraphed by trailers – the episode would have risked being as lightweight as that other immortality tale ‘The Doctor’s Daughter’.

  • WHAT WE DO

    We've been developing corporate tailored services for clients for 30 years.

    CONTACT US

    For enquiries you can contact us in several different ways. Contact details are below.

    RUDER FINN INDIA

    • Street :Unit 001A, Tower B, Ground Floor, Global Business Park, MG Road, Gurgaon – 122002, INDIA
    • Person :Radha Roy
    • Phone :91 124 388 2870
    • Country :India
    • Email :royr@ruderfinnasia.com

    Radha Roy.

    Radha Roy Country Head 91 124 388 2870 royr@ruderfinnasia.com Unit 001A, Tower B, Ground Floor, Global Business Park, MG Road, Gurgaon – 122002, INDIA